During August 2006 - February 2008, J. Garancs has been hosted by
Cologne University of Applied Sciences (Cologne, Germany)
while being involved in 'LIVE' ( www.ist-live.org)
- EU funded international future interactive TV research project
Participations -
2011:
- "Staro Riga 2011" Light Festival, Riga
- "Studies of spatial subversions", ArtSpace, Riga
- International Art Week, Tampere
2010:
- Festival "New Media Meeting", Norrkoping
- Festival Camp Pixelache, Helsinki
2009:
- Interactive Futures (IF'09: Stereo), Vancouver, Canada
- City festival, Cesis, Latvia
2007:
- "Waves - Art+Communication", RIXC, Riga, Latvia
- "StereoVision", USF Contemporary Art Museum, Florida, USA
2006:
- Galerie du Haïdouc, Bourges
- TECHNE'06 / Istanbul, Turkey
- Spectography / Centre Georges Pompidou, Paris
- Festival Bandits Mages , Bourges
-
2005:
- festival "Étonnante Lettonie", France
- Point Ephémère, Paris
- La Filature, Mulhouse
- - Museum of contemporary Art, Strasbourg
- "Break the ICE" - NordScen / Reykjavik (Iceland)
- "Bodies in Play", BNMI - Banff New Media Institute (Canada)
- "IMCEXPO", Chelsea Art Museum, New York
- Amazon 3D, SAT, Montréal
- PLAN seminar, ICA, London
- Transmediale, Berlin
2004:
- Pixxelpoint'04, Nova Gorica
- DEAF'04, Rotterdam
- VSMM 2004, Ogaki City
- Art+Communication: Trans-Cultural Mapping at RIXC, Riga (Latvia)
- ISEA2004 - International Symposium for Electronic Arts, Helsinki (Finland)
- V2_Lab,
Rotterdam (the Netherlands) P.E.R. / exStream artist-in-residence
- Banff New media Institute (Canada): "Simulation and Other Re-enactments: Modeling the Unseen" symposium
- Interaccess Gallery, Toronto (Canada)
"...while
many new media artists artists are so conceptionally
convoluted that few get the hyper-irony, Garancs'
work is viceral and tangible: a 3D datascape
of moving lines, colours and information that can
be set up to interact with moving bodies. Viva
networked acid for the wired generation!
Garancs creates crazy stereoscopic projections - like what
you'd hallucinate the Net to look like in William Gibson's Neuromancer.
Call it the new phychedelia for the SMS
kiddies, or the reprogramming of our cyberpunk fantasies
with surround-sound bleeps..."
by
Tobias C.
van Veen for ARTSWEEK, Montreal Mirror
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