{"id":28869,"date":"2019-09-22T21:35:09","date_gmt":"2019-09-22T18:35:09","guid":{"rendered":"https:\/\/garancs.net\/wi\/cv-2\/"},"modified":"2026-03-28T12:52:32","modified_gmt":"2026-03-28T12:52:32","slug":"cv-2","status":"publish","type":"page","link":"https:\/\/garancs.net\/lv\/cv-2\/","title":{"rendered":"Curriculum Vitae"},"content":{"rendered":"

Multimediju m\u0101kslinieks un p\u0113tnieks (jomas: elektroniskie, digit\u0101lie mediji un glezniec\u012bba)<\/p>\n

\u00a0<\/p>\n

Dal\u012bba starptautiskos m\u0101kslas un kult\u016bras pas\u0101kumos<\/strong><\/p>\n

2023:<\/p>\n

\u2022\u00a0 RIXC M\u0101kslas un zin\u0101tnes festiv\u0101ls 2023: CRYPTO, ART AND CLIMATE, R\u012bga<\/p>\n

\u2022\u00a0 ISEA 2023 \/ Par\u012bze, Francija<\/p>\n

2022:
\u2022\u00a0 Expanded Animation 2022 \/ Ars Electronica Festival 2022 \/ Linca, Austrija
\u2022\u00a0 ISEA 2022 \/ Barselona, Sp\u0101nija
\u2022\u00a0 Starptautisk\u0101 konference ARTISTIC RESEARCH: VARIOUS FIELDS, APPROACHES, EXPERIENCES, R\u012bga<\/p>\n

2021:
\u2022 Open Fields 2021: PostSENSORIUM The 6th Open Fields konference
\u2022 ENN6 Conference: \u2018Gaslight\u2019 Narratives In Virtual Landscapes:<\/p>\n

2020:
\u2022 ISEA 2020, 26 starptautiskais Elektronisk\u0101s m\u0101kslas simpozijs, Monre\u0101la, Kan\u0101d\u0101 (m\u0101kslinieka prezent\u0101cija)
\u2022 EVA-London 2020, 30. starptautiskais Elektrinisk\u0101s vizualiz\u0101cijas un m\u0101kslas konference, London\u0101, Lielbrit\u0101nij\u0101 (p\u0113t\u012bjuma prezent\u0101cija)<\/p>\n

2017:
\u2022 Realities and Virtualities konference un festiv\u0101ls, Latvijas M\u0101kslas Akad\u0113mija un Latvijas m\u0101kslas muzejs
2016:
\u2022 Open Fields konference un festiv\u0101ls, Latvijas nacion\u0101l\u0101 bibliot\u0113ka
2011-2013:
\u2022 Ce\u013cojo\u0161\u0101 izst\u0101de “United States of Europe”
(Lod\u017ea, Helsinki, Vi\u013c\u0146a, Gijmare\u0161a, Nikosija, Dr\u0113zdene, Sofija; Par\u012bze, Korka, Brisele)
2010:
\u2022 “Staro Riga 2010” gaismas festiv\u0101ls, R\u012bga.2010:
\u2022 Festiv\u0101ls \u201ePixelache: CAMPUS\u201d \u2013 Kerava m\u0101kslas muzejs, Somija
\u2022 Festiv\u0101ls \u201eNew Media Meeting 2010\u201d \u2013 Vizualiz\u0101cijas Centrs, Nor\u010d\u0113pinga, Zviedrija
2009:
\u2022 Izst\u0101de\/simpozijs: \u201eInteractive Futures\u201909: Stereo\u201d, Vank\u016bvera, Kan\u0101da
\u2022 \u201eC\u0113su m\u0101kslas Festiv\u0101ls\u201d, izst\u0101de \u201eM\u016bslaiku varo\u0146i\u201d
2008:
\u2022 “Spektropija\u201d, Festiv\u0101ls \u201eM\u0101ksla+Komunik\u0101cijas”, R\u012bgas m\u0101kslas telpa
2007:
\u2022 \u201eVi\u013c\u0146i\u201d, Festiv\u0101ls ” M\u0101ksla+Komunik\u0101cijas “, RIXC, R\u012bga
\u2022 “StereoVision”, Dienvidfloridas universit\u0101tes laikmet\u012bg\u0101s m\u0101kslas muzejs, Tampa, Florida, A.S.V.
2006:
\u2022 Prezent\u0101ciju cikls \u201eSpectrographie\u201d – Pompid\u016b Centrs, Par\u012bze
\u2022 Festiv\u0101ls Bandits Mages, Bur\u017ee (Bourges), Francija
\u2022 Festiv\u0101ls TECHNE\u201906, Stambula, Turcija
2005:
\u2022 Festiv\u0101ls \u201eP\u0101rsteidzo\u0161\u0101 Latvija\u201d Francij\u0101 \u2013 Point Eph\u00e9m\u00e8re\/Par\u012bze, Labomedia\/Orle\u0101na,
La Filature\/Mil\u016bza, Laikmet\u012bg\u0101s m\u0101kslas muzejs\/Strasb\u016bra
\u2022 Break the ICE \u2013 City Theatre, Reykjavika, Islande
\u2022 Interactive Multimedia Culture Expo (IMCEXPO), Chelsea Art Museum, \u0145ujorka
\u2022 \u201eBodies in Play\u201d – Banff New Media Institute Summit, Banfa, Kan\u0101da
\u2022 Transmediale 05, Haus der Kulturen der Welt, Berl\u012bne
2003-2004:
\u2022 ISEA2004, Starptautiskais Elektronisk\u0101s m\u0101kslas Simpozijs (ISEA), Kiasma muzejs, Helsinki
\u2022 Pixxelpoint, Nova Gorica (Slov\u0113nija)
\u2022 Festiv\u0101ls ” M\u0101ksla+Komunik\u0101cijas” 2003, R\u012bga
2002:
\u2022 Izst\u0101de \u201eVison – Image and Perception\u201d, Mucsarnok Kunsthalle, Budapesta
\u2022 Ars Electronica Festival 2002: Unplugged \/ CAMPUS (KHM studentu izlase), Linca, Austrija
\u2022 6th International Browserday, De Balie, Amsterdama
\u2022 Infotopia\/The Infogolem, V2_Organisation, Rotterdama.
2001:
\u2022 5th International Browserday \u2013 experiment\u0101lo interface konkursa fin\u0101ls -Volksbuehne, Berl\u012bne
\u2022 Interstanding 5, mediju m\u0101kslas festiv\u0101ls, Tallina.
2000:
\u2022 EXPO 2000 pasaules izst\u0101de, Hanovera – Ars Baltica, V\u0101cijas paviljons
\u2022 ArtGenda’2000, Eiropas jauno m\u0101kslinieku izst\u0101de, Helsinki
1998-1999:
\u2022 Baltic Sea Media Space \/ TEMP, Kiasma muzejs, Helsinki
\u2022 Ars Electronica Festival \/ Infowar (projekts Xchange)
\u2022 ArtGenda’98, Eiropas jauno m\u0101kslinieku izst\u0101de, Stokholma.
1997:
\u2022 Ars Electronica Festival, openX, Internet kopprojekts “RemoteC”, – Ars Electronica Center pas\u016bt\u012bjums<\/p>\n

Solo izst\u0101des<\/strong><\/p>\n

\u201eTelpisko apv\u0113rsumu studijas\u201d<\/strong> R\u012bgas m\u0101kslas telpa (2011) R\u012bga
\u201eKl\u0101tb\u016btnes anizotropisk\u0101 aina\u201d <\/strong> Sp\u012b\u0137eri (2009) R\u012bga
\u201eParal\u0113lainavas\u201d <\/strong> Galerie Ha\u00efdouc (2006) Bur\u017ee (Bourges), Francija
+\u2248X<\/strong> SAT- Society for Art & Technology (2003) Monre\u0101la, Kan\u0101da
E+<X <\/strong> Galerie KHM Projektraum (2002) \u0136elne, V\u0101cija
JG.KKH.SE:99 <\/strong> Galleri Mejan (1999) Stokholma, Zviedrija
J.G. \/ S.E. <\/strong> Slepenais Eksperiments (1995) R\u012bga[\/accordion_group]<\/p>\n

Balvas, atzin\u012bbas<\/p>\n

\u2022 Prix Ars Electronica 1998: 2. vieta .net kategorij\u0101 par projektu “Xchange” (kop\u0101 ar Rasu un Raiti \u0160mitiem)
\u2022 Web3Dart.org lab\u0101ko 2004. gada \u201eInterneta 3D projektu\u201d izlases laure\u0101ts
\u2022 Atzin\u012bbas raksts: 6th International Browserday Competition (2002) par projektu \u201cCell[ular] Flux\u201d
\u2022 Digital Sparks nomin\u0101cijas 2002 un 2003 (V\u0101cijas lab\u0101ko studentu mediju m\u0101kslas projektu skate)<\/p>\n

Rezidences, viesm\u0101kslinieka iel\u016bgumi<\/strong>

\u2022 EFFEA (2024)
\u2022 XARKIS, Everything Flows festiv\u0101ls (2020)
\u2022 Reikjavikas pils\u0113tas te\u0101tris, Islande \u2013 NordScen \/ Skandin\u0101vijas un Baltijas kopprojekts (2005)
\u2022 V2_Lab \/ Roterdama, exStream \/ Playlist European Residencies (2004)
\u2022 NIFCA multimediju m\u0101kslinieka rezidence: SAT \u2013 Soci\u00e9t\u00e9 des Arts Technologiques, Monre\u0101la, Kanada (2003)
\u2022 Hamburgas Kult\u016bras Ministrija (Kunstler Residenz \u2013 Spritzenhaus (1999)<\/p>\n

Stipendijas, pabalsti<\/strong><\/p>\n

\u2022 Latvijas Kulturas Kapit\u0101la Fonds (stipendijas 2000, 2001, 2002, 2003, 2004, 2005, 2010, 2014, 2016, 2017, 2020);
\u2022 KKNord Mobility, ce\u013cojuma stipendijas: uz Somiju 2014.g. un 2012.g. uz D\u0101niju: 2011.g., uz Zviedriju: 2010.g.
\u2022 NordScen, \u201eBreak the ICE\u201d rado\u0161\u0101 stipendija (2005);
\u2022 Sleipnir Zieme\u013cvalstu Ministru padomes stipendijas projektiem Island\u0113 (2004, 2005);
\u2022 Latvijas Kult\u016bras Ministrijas rado\u0161\u0101 stipendija 12 m\u0113ne\u0161iem (2004\/2005);
\u2022 APEXchanges \/ European Cultural Foundation (pabalsts, 1999);
\u2022 C. Erik Levin Fonds, Stokholma (pabalsti 1996, 1997 un 1999);
\u2022 Izgl\u012bt\u012bbas Fonds \u201cJaun\u0101 Akad\u0113mija\u201d (stipendija, 1998);
\u2022 Sorosa m\u016bsdienu m\u0101kslas centrs – R\u012bga (festiv\u0101la apmekl\u0113juma ce\u013cojuma pabalsts, 1998);
\u2022 Sorosa Fonds – Latvija (konferences apmekl\u0113juma ce\u013cojuma pabalsts, 1997);
\u2022 W. Smiths Fonds, Stokholma (pabalsts, 1997)
\u2022 Rotary Club Stockholm (stipendija);
\u2022 Zviedrijas Instit\u016bts (pabalsts, 1995);
\u2022 Latvijas Akad\u0113misk\u0101 Organiz\u0101cija Zviedrij\u0101 un Valdma\u0146a Fonds Zviedrij\u0101 (pabalsti, 1995);<\/p>\n

Publik\u0101cijas (P), katalogi (K), recenzijas (R), intervijas (I)<\/strong><\/p>\n

(K) \u201eOpen Fields 2016\u201d izst\u0101des katalogs, Izd. RIXC, 2016
(K) \u201eM\u0113s esam t\u012bkl\u0101. net.art.lv\u201d izst\u0101des katalogs, Izd. RIXC, 2010
(K) \u201eSpektropija\u201d \u2013 \u201eM\u0101ksla+Komunik\u0101cijas\u201d izst\u0101des katalogs, Izd. RIXC, 2008
(K) \u201eStereovision\u201d \u2013 Dienvidfloridas universit\u0101tes (USF) m\u016bsdienu m\u0101kslas muzeja izst\u0101des kat., 2007
(I) \u201eIeelpo\u0161ana kop\u0101 ar J\u0101ni Garan\u010du\u201d, – Inga Bunk\u0161e, \u201cM\u0101ksla Plus\u201d 4\/2006
(P) \u201eM\u0101ksla digit\u0101lo t\u012bklu vid\u0113. M\u0101kslinieki \u2013 labsird\u012bgi zi\u0146k\u0101r\u012bgi vai dump\u012bgi
neganti \u201ehibr\u012bd\u0101s realit\u0101tes \u0137irurgi\u201d\u201d, M\u0101kslas \u017eurn\u0101ls \u201cStudija\u201d, Janv\u0101ris\/Febru\u0101ris, 2006.
(R) \u201eNaktis un Stari\u201d Zaha Redmans, M\u0101kslas \u017eurn\u0101ls \u201cStudija\u201d, Decembris, 2005.
(K) \u201cIMC EXPO 2005\u201d izst\u0101des katalogs, Studio IMC, \u0145ujorka
(P) \u201cNeiedom\u0101jieties. Piedz\u012bvojiet\u201d, Dienas Cilv\u0113ks: laikraksts \u201cDiena\u201d, 30.09.2004
(R) \u201cSAT on LSD\u201d, Tobias C. van Veen \u201cMontreal Mirror\u201d, okt\/nov 2003.
(P) \u201cDomu un telpas audi k\u0101 metafiziska viela man\u0101 priv\u0101taj\u0101 multivers\u0101\u201d \u2013
eseja 2SHOW katalogam (2003, Izd. S\/O \u201cKult\u016bras Pilotprojekti\u201d)
(K ) BIOS \u201cFuture Cinema. The Cinematic Immaginary after Film\u201d 2002\/2003 \u2013
red. Jeffrey Shaw un Peter Weibel | Izd.: ZKM, Karlsruhe & MIT Press, Cambridge.
(P) \u201cAcoustic space. Media Architecture\u201d. Izd. RIXC, 2003.
(R\/K) Digital Sparks\u201902 un Digital Sparks\u201903 (www.Netzspannung.org)
(K) KHM \/ Campus. CyberArts 2002, Izd. Ars Electronica Center, Linz
(R) \u201cBrowse mich, Baby\u201d\/Browserday 5\/Stefan Krempl 06.12.2001 Telepolis Online.
(P) \u201eWords – Worlds. New Media in Latvia\u201d \/ M\u0101ra Traumane.
Mare Articum. The Baltic Art Magazine. #2 [7] 2000.
(P) “Digital Stuff” intervija Annika Hansson \/ “CRAC in context” -online (1999)
(P) “N\u00e4tverk f\u00f6r de h\u00e4ftigaste ljuden” (1998) K. Lundell \/ Internet World Sweden
(P) \u201dV\u0113stule no KKH.SE\u201d, M\u0101kslas \u017eurn\u0101ls \u201dStudija\u201d (1999).
(K) Projekts \u201cXchange Network\u201d. CyberArts 98 izd. Ars Electronica Center, Linca
(R) “Software statt Brecheisen” SPIEGEL ONLINE \/ NETZKUNST \/ Tilman Baumg\u00e4rtel
(K) Projekts \u201cRemote C\u201d. CyberArts 97 izd. Ars Electronica Center, Linca<\/p>\n

Darba vietas (izlase)<\/strong>

2008.10-2018.02: \u00a0\u00a0\u00a0\u00a0 Liep\u0101jas Universit\u0101te
<\/strong>Vieslektors un p\u0113tnieks humanit\u0101r\u0101 fakult\u0101t\u0113 – MPLab<\/p>\n

2006.08 – 2008.02:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Att\u0113la tehnolo\u0123iju instit\u016bts, \u0136<\/strong>elnes <\/strong>lieti\u0161<\/strong>\u0137<\/strong>o zin<\/strong>\u0101<\/strong>t<\/strong>\u0146<\/strong>u augstskola, V\u0101cija<\/strong>
P\u0113tnieks ES finans\u0113t\u0101 starptautisk\u0101 konsorcij\u0101 LIVE <\/em>(interakt\u012bvas, tie\u0161raides TV platformas izstr\u0101de)<\/p>\n

2001.06 – 2002.06:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0136<\/strong>elnes <\/strong>mediju m\u0101kslas<\/strong> augstskola, V\u0101cija<\/strong>
Students-pal\u012bgp\u0113tnieks, profesora Frans Vogelaar<\/em> projektu asistents<\/p>\n

1996.10-1997.11:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ericsson MediaLab Stokholm<\/strong>\u0101<\/strong> (studiju ietvaros)
P\u0113tnieks projekt\u0101 Future TV<\/em>, multimediju studentu un Ericsson\/Ellemtel<\/em> in\u017eenieru grupas sast\u0101v\u0101<\/p>\n

\u00a0<\/p>\n

Akad\u0113misk\u0101 izgl\u012bt\u012bba<\/strong><\/p>\n

\u0136elnes mediju m\u0101kslas Akad\u0113mija \u2013 KHM \/ <\/strong> Audiovizu\u0101lo mediju Diploms (MA)<\/p>\n

mediju m\u0101kslas noda\u013ca – specializ\u0101cija: interakt\u012bv\u0101s un Virtu\u0101l\u0101s Realit\u0101tes sist\u0113mas<\/em><\/p>\n

Karalisk\u0101 m\u0101kslas augstskola Stokholm\u0101 \u2013 KKH<\/strong> (Vies-, projektu- un speci\u0101lais students)
Video- un datorm\u0101kslas noda\u013cas<\/em><\/p>\n

Latvijas m\u0101kslas Akad\u0113mija – LMA<\/strong>
glezniec\u012bbas noda\u013ca<\/em><\/p>\n\n\n

<\/p>\n\n\n